HomeMusicPickathon's Initial Line-Up Includes Nathaniel Rateliff, Khruangbin & Preservation Hall Jazz Band

Pickathon’s Initial Line-Up Includes Nathaniel Rateliff, Khruangbin & Preservation Hall Jazz Band

Pickathon — the eclectic multi-day music festival in Happy Valley, Oregon — announced its initial line-up today. The festival takes place August 2-4.

The line-up includes:

Nathaniel Rateliff & The Night Sweats

Khruangbin

Mandolin Orange

Nathaniel Rateliff

Tyler Childers

Lucius

Preservation Hall Jazz Band

Fruit Bats

Mountain Man

Caamp

YOB

Damien Jurado

Lambchop

Laura Veirs

Julia Jacklin

The Marías

Miya Folick

Sudan Archives

Bonny Light Horseman

Mdou Moctar

Courtney Marie Andrews

Lido Pimienta

Cedric Burnside

Town Mountain

Jupiter & Okwess

The Beths

B Boys

Our Girl

JJUUJJUU

Sneaks

Young Jesus

Sam Evian

Black Belt Eagle Scout

Flasher

Mike and The Moonpies

Nap Eyes

Soft Kill

H.C. McEntire

Helena Deland

The Cordovas

Lauren Morrow

Bodega

David Nance Group

The Po’ Ramblin’ Boys

Virginia Wing

Garrett T Capps

Martha Scanlan

Gold Star

Colton Turner

&more (Chill Moody & Donn T)

David Bragger & Susan Platz

From press release:

The initial lineup shows the kind of deep curation and wide-ranging musical interests that have made Pickathon a key tastemaker event in the American music scene. It’s a lineup based on discovery, not draw, a diverse lineup intended to represent the best contemporary snapshot of music across more than a dozen genres.

With many artists requesting to return each year, Pickathon has become a kind of pilgrimage for artists looking to renew themselves at a well of creative inspiration. Walking onto the festival grounds at Pendarvis Farm in the small town of Happy Valley, OR, you can see what draws artists back year after year.

Pickathon is a riot for the eyes, a festival that takes a holistic view to the music. Each stage is visually spectacular, from the woven branches that make a towering shell of the Woods stage to award-worthy architecture of the Treeline stage, using renewable resources in a different array each year.

The Mt. Hood Stage, the mainstage of Pickathon, was ringed with living gardens in 2018, and the festival makes use of rustic, picturesque existing buildings like the late-night-raging Galaxy Barn, or the interview-focused Lucky Barn. Each artist’s sets are curated specifically to each stage and the timing of the festival meticulously planned, all to inspire the artists to new heights and historic performances.

An army of over 600 videographers and audio specialists record Pickathon, pushing for a spread of nearly 200 videos that will be released between festivals. It’s a wildly ambitious project that involves so many people because each person has come to realize that Pickathon represents our best vision for how music and community come together.

“Our secret,” explains festival founder Zale Schoenborn. “is that we continue to double down on choices that only make sense when your primary focus is to make the best experience possible, even when it sometimes conflicts with maximizing profits. We made a conscious choice some years back to limit our attendance to favor the comfort of our attendees over finding new ways to maximize how many people we can jam into Pendarvis Farm. Entering our 21st year, Pickathon remains inspired to innovate new ways to create the best festival experience.”

“Pickathon, like a microcosm of the Northwest itself, somehow continually manages to walk the line between quiet and pleasant genteel and/or raggedy and unkempt and wild,” says Eric Johnson of Fruit Bats. “Even though the visual pallette and lineup and feelings seem to get honed down to an ever-sharpened point every year, it still always feels totally raw and spontaneous at the same time. I like the blurred lines between the artists and audience, the children running wild, and the fact that I’m always compelled to not miss any set. You’ll never see more musicians watching other musicians. I’ve always likened it to a dog park for bands. I love running around with the other pups at this thing. It creates a completely unique unfiltered atmosphere that anyone watching can feel, even if they can’t explain it.”

Laying back on the grass late at night, with hyperdrive spreads of neon light flashing overhead on the Starlight Stage, Pickathon soaks into your soul. It’s the kind of festival you come back to every year, a place to renew yourself.

Bill Bodkin
Bill Bodkinhttps://thepopbreak.com
Bill Bodkin is the editor-in-chief and co-founder of Pop Break, and most importantly a husband, and father. Ol' Graybeard writes way too much about wrestling, jam bands, Asbury Park, Disney+ shows, and can often be seen under his seasonal DJ alias, DJ Father Christmas. He is the co-host of Pop Break's flagship podcast The Socially Distanced Podcast (w/Amanda Rivas) which drops weekly as well as TV Break and Bill vs. The MCU.
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