Train Dreams follows the life of logger Robert Grainier (Joel Edgerton) through eight decades of loss, love, and survival in a tender, deeply human story. From the narration by Will Patton to the beautiful and airy cinematography of Adolpho Veloso to the slow purposefulness of the screenplay (adapted from the novella by Denis Johnson), Clint Bentley’s film is an ode to Terrence Malick’s best works while still appealing to a wider audience.
It follows Grainier as he works in rural Idaho on the railways and in logging camps, often leaving his wife, Gladys (Felicity Jones), and daughter for long periods of time and putting himself in danger. Grainier’s occupation allows him (and the audience) to witness the ever-changing landscape of America in the 20th century — for better and for worse. Grainier, while passive, observes the often negative aspects of the nation he is actively helping to expand, and the detriment his career may have on the beauty of the Pacific Northwest. While much of the film focuses on his observations, the audience is able to connect with him through these moments, watching his thinking and values change along with the world around him.
These seasons spent on job sites are turning points in Grainier’s life, as he witnesses co-workers (who, despite living nomad-like, loner lifestyles, become friends) be punished, murdered, lie, and die in workplace accidents. These moments cause both Grainier and the audience to confront the reality of our nation’s history and our own mortality. While his fellow workers float in and out of his life, they leave a mark on Grainier and the audience—especially thanks to excellent performances from Clifton Collins Jr., Paul Schneider, John Diehl and Kerry Condon, among many others.
Train Dreams addresses many parts of the human experience, from grief to love and everything in between. It’s beautiful how well Bentley, along with his co-writer Greg Kwedar, is able to connect the audience to Grainier despite the vast separation of time and experiences. Yet, ultimately, love and loss are universal. Rather than capturing the impact western expansion had on Americans as a whole, Bentley keeps the focus on Grainier, allowing for an intimate experience that speaks to both history and humanity.
The film is told (in typical Malick fashion) in a meditative, thought-provoking manner. Bentley is asking his audience to think deeply about the story, allowing them the time and space to do this throughout the film.
By keeping the focus on Grainier rather than the grand narrative of westward expansion, the film finds intimacy where others might chase scope. In doing so, it captures a unique perspective, a portrait of just one man’s life shaped not by grand achievements or triumphs, but by endurance. It’s a gentle, contemplative experience that stays with you long after the final frame.
