By day, Marisa Carpico stresses over America’s election system. By night, she becomes a pop culture obsessive. Whether it’s movies, TV or music, she watches and listens to it all so you don’t have to.
It is almost impossible to overstate Pauline Kael's influence on film criticism. A regular critic at The New Yorker from her 1967 debut reviewing director...
Two years ago, Netflix’s A Christmas Prince was the silly, meme-ready movie none of us knew we needed. Despite its absurdly illogical storytelling and...
The Oscar for Best International Feature Film (changed earlier this year from Best Foreign Language Film) seems like a done deal. Between Bong Joon-ho’s...