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Matt Taylor

Matt Taylor
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Matt Taylor is the TV editor at The Pop Break, along with being one of the site's awards show experts. When he's not at the nearest movie theater, he can be found bingeing the latest Netflix series, listening to synth pop, or updating his Oscar predictions. A Rutgers grad, he also works in academic publishing. Follow him on Twitter @MattNotMatthew1.

Way Too Early Oscar Podcast: The Films of the New York Film Festival

Matt Taylor -
https://open.spotify.com/episode/4Bqph8GqDEnpUE8RmEvuZD?si=367fcb005d754a79 You can listen to The Way Too Early Oscar  Podcast on Spotify, Apple Podcasts, Anchor, Pocket Casts, RadioPublic, and Google Podcasts. Don’t forget to check out our other podcast: And The Winner Still Is… a retrospective...
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Watchmen Season Finale Review: A Perfect Ending … (Hopefully) for a Genre

Matt Taylor -
(This portion of the review speaks vaguely about the Watchmen Season Finale, but does include spoilers for the rest of the season. There will...
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‘Richard Jewell’ Review: A Well-Made Film, but About What, Exactly?

Matt Taylor -
In 1996, Richard Jewell saved thousands of lives from a bomb he found at the Atlanta Olympics—only to be unfairly targeted as a suspect...
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‘Portrait of a Lady on Fire’ Review: The Most Passionate Film of 2019

Matt Taylor -
Half love story, half journey into the mind of an artist, Portrait of a Lady on Fire is a movie about throwing all of...
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‘The Irishman’ Review: An Epic Farewell to A Genre

Matt Taylor -
It's foolish to say that Martin Scorsese has only directed gangster movies — a claim thrown around by silly fanboys pretending to care about...
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‘Countdown’ Review: Surprisingly Interesting, But It’s Missing the Scares

Matt Taylor -
Countdown is a horror movie about a phone app which, when activated, announces its user's time of death, and will then go to any...
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The Lighthouse: A Hypnotic Nightmare About Masculinity

Matt Taylor -
The Lighthouse feels something like a dream. It establishes its own rules quickly and quietly, never announcing its own interior logic but moving through...
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Succession: The American Tragedy We Need Right Now

Matt Taylor -
My timeline has been filled with tweeters expressing regret that they've waited so long to start Succession. I love to see it. While critics praised...
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NYFF Review: Uncut Gems is a Chaotic, Memorable Ride

Matt Taylor -
The Safdie Brothers are all about controlled chaos. There are at least five different things going on in every frame of their latest movie,...
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NYFF Review: Marriage Story is Beautiful, Tragic, and Baumbach’s Best

Matt Taylor -
The evolution of Noah Baumbach's career has been quite fascinating. From a disciple of Wes Anderson in the '90s to a more divisive figure...
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‘Modern Love’ Review: Bite-Sized Breaks from the Binging World (Part 1)

Matt Taylor -
Modern Love may be new to the small screen, but these stories have inspired audiences  for years. Since 2004, the "Modern Love" column in...
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‘Pain and Glory’ Review: Pedro Almodovar’s Latest is all about Filmmakers & Their Careers

Matt Taylor -
While it's not necessarily a requirement, Pain and Glory is best experienced if viewed after watching a majority of Pedro Almodovar's eclectic filmography. This...
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