Tom Moore

Tom Moore
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https://mooreviews.com/
Tom is always ready to see and review everything horrifying and hilarious that hits theaters, television, and video games...sometimes. You can check out his other reviews and articles on his blog, Mooreviews.

Tribeca Review: The Devil’s Bath

Austrian directing duo Veronika Franz and Severin Fiala – the pair behind nerve-shredding horror flicks like The Lodge and Goodnight Mommy – return with...

The Bikeriders’ Promising Premise Falls Apart in the Editing Room

Despite getting pushed out of 2023 during the WGA/SAG-AFTRA strike and being forced to find a new distributor, the excitement for writer-director Jeff Nichols’s...

Tribeca Review: ‘The Wasp’

There’s nothing like a good twist to throw a monkey wrench into everything you thought was happening in a film, right? Just when you...

‘Inside Out 2’ Review: The Perfect Sequel for These Tension-Filled Times

Even nearly a decade after the original film’s release, Pixar’s Inside Out continues to be one of the studio's best and most beloved stories...

Atlas Review: Another Big Budget Blunder from Netflix

Netflix has continually tried to deliver blockbuster experiences in the comfort of its subscribers’ homes, the service but has mostly come up short. Most...

The Strangers: Chapter 1 Review: A Deathly Hollow Carbon Copy

Bryan Bertino’s 2008 directorial debut, The Strangers, became an instant, iconic entry in horror history for its distinct brand of grounded terror and how...

The Fall Guy Isn’t Quite the Love Letter to Stunts it Wants to Be

When The Fall Guy, which is loosely based on the 1980 tv series of the same name, premiered at SXSW, the film was labeled...

Adam Sandler’s ‘Spaceman’ Can’t Quite Execute its Themes

  Adam Sandler steps into a more serious, thematically driven role in Johan Renck’s Spaceman, but the allure of its premise and setting aren’t enough...

Review: Drive-Away Dolls is an Unfunny Misfire

Ever since the Coen Brothers started making films separately, it’s been interesting to see their distinct visions. Joel Coen’s eye for aesthetics, characters, and...

Review: Stopmotion is the First Great Horror Film of 2024

Writer/director Robert Morgan brings newfound terror to the stop motion style and showcases a palpable descent into madness with his feature directorial debut,  Stopmotion.  The...

Out of Darkness Review: All Bark, No Bite

Director Andrew Cumming's feature directorial debut, Out of Darkness, brings audiences back to the Stone Age for some tense horror that's aesthetically impressive, but...

Orion and the Dark Review: Extremely Relatable & Visually Dynamic

As DreamWorks reinvents itself in the increasingly crowded animation space, the studio’s latest film, Orion and the Dark, shines through its dynamic visuals and...

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