Tom Moore

Tom Moore
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https://mooreviews.com/
Tom is always ready to see and review everything horrifying and hilarious that hits theaters, television, and video games...sometimes. You can check out his other reviews and articles on his blog, Mooreviews.

Orion and the Dark Review: Extremely Relatable & Visually Dynamic

As DreamWorks reinvents itself in the increasingly crowded animation space, the studio’s latest film, Orion and the Dark, shines through its dynamic visuals and...

‘The Beekeeper’ is an All Too Familiar Jason Statham Movie

Jason Statham has led a string of action projects lately that have boosted his star power, but also weakened the quality of his presence....

Lift Review: Kevin Hart’s Netflix Caper is the Worst Kind of Cinematic Junk Food

Writer/director F. Gary Gray’s post-Straight Outta Compton blockbusters – Fate of the Furious and Men in Black: International – haven’t shown the longtime director...

Night Swim Review: A Bloodless, Scare Scarce Start to Blumhouse’s 2024

Blumhouse delivered a strong slate of horror in 2023 with box office breakouts like M3GAN and Five Nights at Freddy’s as well as notable...

Next Goal Wins: Taika Waititi’s Latest Comedy is Wide Right of the Goal

Writer/director Taika Waititi’s comedic style has made him an established name in the genre. It’s how he rejuvenated Thor from being a bottom-tier MCU...

Trolls Band Together: A Terrific Boy Band Homage Makes for the Best Trolls Movie Ever

While some of the flaws of DreamWorks’ Trolls films remain, Trolls Band Together –  the latest addition to the popular animated  franchise –  is...

Priscilla Review: Sofia Copploa’s Masterful Look at Priscilla & The King

Writer/director Sofia Coppola returns with a biopic centered on Priscilla Presley, shedding light on Priscilla’s perspective on her complicated romance with Elvis while exuding...

NYFF Review: Ferrari

Director Michael Mann – the filmmaker behind Collateral and Heat – returns after nearly with Ferrari. The biopic, starring Adam Driver as Enzo Ferrari,...

NYFF Review: Maestro

After delivering an Oscar-winning directorial debut with 2018's A Star is Born, Bradley Cooper returns to helm Maestro, a biopic based on iconic American...

NYFF Review: May December

The latest film from Todd Haynes, director of Carol and Dark Waters, is a multi-faceted story of truth that features some searing dark comedy...

NYFF Review: The Boy and the Heron

It’s been over a decade since we’ve seen a film from the legendary Hayao Miyazaki, the director who’s helped make Studio Ghibli a renowned...

‘The Creator’ Review: One of the Best Original Films of the Year

Writer-director Gareth Edwards has quickly developed a strong vision for large-scale stories that stand out in major franchises with 2014's Godzilla and Rogue One: A...

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