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‘Honey Boy’ Review: Cinematic Catharsis

In the early 2000’s, Shia LaBeouf’s potential seemed limitless. After starring on the Disney Channel’s Even Stevens as the goofy younger brother Louis, he...

‘Doctor Sleep’ Review: One of the Best Horror Films of the Year

Here it is, Doctor Sleep, one of my most anticipated films of the year. Why, you ask, is a sequel to The Shining nearly...

Way Too Early Oscar Predictions Podcast: Parasite, Harriet & The Power of Netflix

https://soundcloud.com/popbreakdotcombreakcast/the-way-too-early-oscar-podcast-parasite-harriet-and-netflix November means Oscar Season is in Full Effect. Pop Break's Film Editor Marisa Carpico and Television Editor Matt Taylor are back for a big...

‘The King’ Review: All of the Pedigree of a Great Film with None of the Execution

Written by Avani Goswami The King, the Netflix historical film based on Shakespeare’s Henriad, stars Timothee Chalamet as Prince Hal, and later King Henry V,...

‘Terminator: Dark Fate’ Review: No Points for Originality, but It’s Nice to See Sarah Connor Again

Written by Ben Murchison Set 27 years after the events of T2, producer James Cameron and director Tim Miller bring us Terminator: Dark Fate, which...

Jay & Silent Bob Reboot Review: A Wonderful Return to Form for Kevin Smith

Jay and Silent Bob Reboot finds the smokers in crime (Kevin Smith, Jay Mewes) on the big screen for the first time in 13...

Best Horror Movies of the Decade: Part 2

Part 2 of our look back on the best horror movies of the last decade comes just in time for Halloween. The spooky season...

‘Harriet’ Review: Moving and Effective Despite Some Corny Moments

Watching the trailer for Harriet, it feels unlikely that it could be anything but a corny embarrassment. Seemingly stunt-cast with Tony winners and pop...

Best Horror Movies of the Decade: Part 1

The 2010s have been a great decade for horror. So, this Halloween, we at The Pop Break have come together to celebrate Halloween and...

‘The Gallows Act II’ Review: Slightly Edges Out it Predecessor

With a $100,000 budget and a simple found-footage premise, writer-directors Chris Lofing and Travis Cluff gave Blumhouse one of their biggest financial successes with...

‘Sweetheart’ Review: Great Creature Design, Subpar Narrative

In his sophomore outing, Sweetheart, writer-director J.D. Dillard reunites with Blumhouse to bring a fresh creature feature that’s perfect for Halloween. The film follows Jenn...

‘Countdown’ Review: Surprisingly Interesting, But It’s Missing the Scares

Countdown is a horror movie about a phone app which, when activated, announces its user's time of death, and will then go to any...

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