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‘POMS’ Review: More than Just an Old-Lady Cheerleader Movie

POMS, the new film about women of a certain age starting a cheerleading squad in their retirement community, isn’t starting off on the right...

Avengers: Endgame and the Stages of Grief

“This was never going to work if they didn't have something to….” The dying words of Phil Coulson in 2012’s The Avengers capture an odd...

‘Tolkien’ Review: This Biopic Doesn’t Live Up to Its Own Legend

Tolkien has a lot to live up to. Directed by Dome Karukoski and written by David Gleeson and Stephen Beresford, it shows how the...

‘The Biggest Little Farm’ Review: Inspiring as Long as You Don’t Think About It Too Much

It all starts with a dog named Todd. When cameraman John Chester met Todd in 2010 while shooting an episode of Animal Planet's Dangerously...

The Last Summer Review: A Sweet & Relatable Teen Romance

Written By Erin Doyle The summer before college is always bittersweet. There is anticipation and excitement, coupled with stress, nerves, and the emotions of leaving...

And The Winner Still Is: Rocky, Network & The 1976 Oscars

https://soundcloud.com/popbreakdotcombreakcast/and-the-winner-still-is-rocky-network-the-1976-osscars Welcome to Season 1 of our retrospective Oscar podcast series -- And the Winner Still Is. Hosted by film editor Marisa Carpico and television...

The Spoiler Ban is Lifted: The Staff Reacts To Avengers: Endgame

The spoiler ban has officially been lifted. So we've assembled members of the staff to go headfirst, and spoilers and all on Avengers: Endgame. The...

Rafiki Review: Colorful, Hopeful, and Important

Context is key when talking about Rafiki. On the surface, the film is a relatively standard queer coming of age story following two young...

Tribeca Review: A Woman’s Work: The NFL’s Cheerleader Problem

The NFL has received a lot of criticism over the last few years. There have been concerns over concussions and the CTE they may...

Tribeca Review: The Weekend

Romantic comedies are often built on a faulty logic, and it's up to the filmmaker and writer to convince the audience that the story...

‘The Intruder’ Review: A Bad Film Saved by A Devilishly Fun Dennis Quaid

Written by Tom Moore While it definitely misses the mark of being a smart, clever, and fresh home-invasion thriller, I still couldn’t help but see...

Tribeca Review: Devil’s Pie—D’Angelo

After the release of his 2000 sophomore album, Voodoo, and the subsequent tour, then 26-year-old R&B artist, D’Angelo, was poised to be one of...

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