Tom Moore

Tom Moore
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https://mooreviews.com/
Tom is always ready to see and review everything horrifying and hilarious that hits theaters, television, and video games...sometimes. You can check out his other reviews and articles on his blog, Mooreviews.

‘Inside Out 2’ Review: The Perfect Sequel for These Tension-Filled Times

Even nearly a decade after the original film’s release, Pixar’s Inside Out continues to be one of the studio's best and most beloved stories...

Atlas Review: Another Big Budget Blunder from Netflix

Netflix has continually tried to deliver blockbuster experiences in the comfort of its subscribers’ homes, the service but has mostly come up short. Most...

The Strangers: Chapter 1 Review: A Deathly Hollow Carbon Copy

Bryan Bertino’s 2008 directorial debut, The Strangers, became an instant, iconic entry in horror history for its distinct brand of grounded terror and how...

The Fall Guy Isn’t Quite the Love Letter to Stunts it Wants to Be

When The Fall Guy, which is loosely based on the 1980 tv series of the same name, premiered at SXSW, the film was labeled...

Adam Sandler’s ‘Spaceman’ Can’t Quite Execute its Themes

  Adam Sandler steps into a more serious, thematically driven role in Johan Renck’s Spaceman, but the allure of its premise and setting aren’t enough...

Review: Drive-Away Dolls is an Unfunny Misfire

Ever since the Coen Brothers started making films separately, it’s been interesting to see their distinct visions. Joel Coen’s eye for aesthetics, characters, and...

Review: Stopmotion is the First Great Horror Film of 2024

Writer/director Robert Morgan brings newfound terror to the stop motion style and showcases a palpable descent into madness with his feature directorial debut,  Stopmotion.  The...

Out of Darkness Review: All Bark, No Bite

Director Andrew Cumming's feature directorial debut, Out of Darkness, brings audiences back to the Stone Age for some tense horror that's aesthetically impressive, but...

Orion and the Dark Review: Extremely Relatable & Visually Dynamic

As DreamWorks reinvents itself in the increasingly crowded animation space, the studio’s latest film, Orion and the Dark, shines through its dynamic visuals and...

‘The Beekeeper’ is an All Too Familiar Jason Statham Movie

Jason Statham has led a string of action projects lately that have boosted his star power, but also weakened the quality of his presence....

Lift Review: Kevin Hart’s Netflix Caper is the Worst Kind of Cinematic Junk Food

Writer/director F. Gary Gray’s post-Straight Outta Compton blockbusters – Fate of the Furious and Men in Black: International – haven’t shown the longtime director...

Night Swim Review: A Bloodless, Scare Scarce Start to Blumhouse’s 2024

Blumhouse delivered a strong slate of horror in 2023 with box office breakouts like M3GAN and Five Nights at Freddy’s as well as notable...

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