Andrew Howie

Andrew Howie
137 POSTS0 COMMENTS
Andrew Howie is a Midwestern treasure who isn't exactly sure how to talk about himself without being sarcastic and self-deprecating. His music taste is pretentious and he wants to tell you all about it.

Review: Gorillaz, ‘The Now Now’

The “virtual band” known as Gorillaz normally take their sweet time between records. This summer, however, they’ve unleashed The Now Now, the follow-up to...

Bill Maher: Live from Oklahoma is Way too Predictable

Bill Maher has been around for a long time. He made a name for himself with his shows Politically Incorrect and Real Time with...

Death Grips, ‘Year of the Snitch’

Where do you even start when talking about a Death Grips record? Between the aggressive, minimalist aesthetic, the industrial-grindcore-hip hop combination, the vocals that...

Review: Xavier Rudd, ‘Storm Boy’

Australian multi-instrumentalist Xavier Rudd has been making uplifting, healing music for about 18 years now, and his latest effort, Storm Boy, continues his trend...

White Denim on ‘Performance,’ Lineup Changes, and Breaking Sonic Boundaries

Coming in blazing hot out of Texas is White Denim, a soul-drenched, blistering psych-prog quartet dipped in jazz fusion and improvisation. That's a lot...

Press Exit to Enter: Tom Cowan of The Horrors on V, Synth & Doubt

One of the most unique bands in recent years, UK’s The Horrors, have announced an upcoming summer tour here in the US, in support...

Review: Wooden Shjips, ‘V.’

Wooden Shjips (pronounced ships) have returned with their first album in five years, V., and it couldn’t have come at a better time: right...

Review: Black Moth Super Rainbow, ‘Panic Blooms’

Black Moth Super Rainbow is one of the most enigmatic and enthralling bands in the music world right now. Their trademark fuzzy “liquid goth/outsider...

Review: Sleep, ‘The Sciences’

So far, 2018 has been a great year for music releases. Indie, folk, electronic, pop, garage; you name it, there’s been a stellar new...

Review: MetaQuorum, ‘Witchcraft Jazz’

MetaQuorum, a new project in the last few years from Dmitry Ermakov, a Russian-born British composer/keyboardist who operates out of the UK, is something...

Review: Between the Buried and Me, ‘Automata I’

Between the Buried and Me have been at the helm of the ever-expanding progressive metal genre for quite some time now; their dazzling musicianship,...

Review: Ty Segall, ‘Freedom’s Goblin’

In the music scene today, different genres are blending together in lots of unforeseen ways, which has led to some groundbreaking new tunes and...

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