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‘Sputnik’ Review: More than an ‘Alien’ Knock Off

Tom Moore -
Back when Alien 3 was going through development hell, there were tons of different ideas of what it would be. Vincent Ward, the first...
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Fantasia Fest 2020 Review: Survival Skills

George Heftler -
With the advent of streaming, physical media dropped off significantly. You of course still have collectors, but by and large, the ease of access...
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Fantasia Fest 2020 Review: Fried Barry

George Heftler -
This is a weird one, so strap in. Fried Barry is the feature debut of writer-director Ryan Krueger and follows the story of Barry (Gary...
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‘Made in Italy’ Review: The Father/Son Drama Gets in its Own Way

Tom Moore -
Made in Italy is filled with plenty of star power—both onscreen and behind the camera. It's about a father and son rebuilding their relationship as...
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‘Project Power’ Review: Superhero Action Made for TV

Marisa Carpico -
  Looking at the cast list for Netflix’s Project Power, it’s hard not to wonder if it might have gotten a theater release in a...
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‘An American Pickle’ – A Half-Sour Attempt to Mix Fish-Out-of-Water Comedy with Family Guilt

Tom Moore -
The first original film for HBO Max and the feature directorial debut for cinematographer Brandon Troust, An American Pickle, sees Seth Rogen (​This Is...
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‘River City Drumbeat’ Review: A Textured, Quietly Powerful Documentary

Marisa Carpico -
Early in River City Drumbeat, a new documentary about the River City Drum Corps of Louisville, Kentucky, one of the film’s subjects tells a...
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‘The Rental’ Review: Dave Franco’s Directorial Debut is Tense as Hell

Pop-Break Staff -
Dave Franco's directorial debut, The Rental (co-written by Franco and Joe Swanberg, with Mike Demski rounding out the trio for the story credit) is...
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‘The Secret Garden’ Review: Missing the Magic

Marisa Carpico -
Frances Hodgson Burnett's The Secret Garden has been adapted to film numerous times since its collection into novel form in 1911. There was a...
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‘Out Stealing Horses’ Review: A Summer Tale of Beauty & Tragedy

Pop-Break Staff -
Written by Samuel Niles There are two moments towards the beginning of Hans Petter Moland's Out Stealing Horses that establish the foundation of both the...
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‘She Dies Tomorrow’ Review: The Perfect Pandemic Movie?

Marisa Carpico -
Though writer-director Amy Seimetz’s new film, She Dies Tomorrow, was made well before COVID-19 changed everything, it feels uncannily suited to this moment. The...
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‘Radioactive’ Review: A Strong if Imperfect Examination of Marie Curie

Tom Moore -
Marie Sklodowska-Curie is more than likely a name that you’ve heard in your high school chemistry class. A two-time Nobel Prize winning physicist and...
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